Seattle, January 2011

Issue Cover

CultureMakers

Features

January 1, 2011 | by Hannah Levin

Lost in the Supermarket: 7 for ’11

The lowdown on the most anticipated releases of this young year Throughout the holidays, it seemed like every local band I ran into was either putting the finishing touches on a...
January 17, 2011 | by Christen Mattix

Entanglements

Bone Knit, 2009, sculpey and knit cozy The Good Girl, 2009, ink and pencil on wooden found object The Family Reunion, 2009, ink and matches The Singing Tree, 2010, graphite, ink...
January 17, 2011 | by Peter Mountford

The Pig

Lenka had to buy a suckling pig. That was her main mission that day. The problem was that everyone else in La Paz also had to buy a suckling pig for their Christmas eve dinners....
January 3, 2011 | by J. A. A.

Your Crooked Neighbor: Part 4

The Rabbit Hole Picture it – the early 2000s. A pleasant, cool night at a small, liberal arts college with a practically non-existent frat row and half-assed sports following. I,...

Here & Now

January 4, 2011 | by Tony Kay
January 1, 2011 | by Jonathan Shipley

In Store: Two Worlds Collide

Flury & Company keeps one of Seattle’s oldest photographers alive and moving In 1895, on the streets of Seattle, a young photographer met a princess. Edward Curtis, who had...
January 1, 2011 | by Jonathan Shipley

Fast Fact

Did you know that the premiere performance of one of the longest-running professional theatre companies in Seattle was almost canceled? It’s true! On January 12, 1950, Gene Keene...
January 1, 2011 | by Jennifer Tate

Grief Sings: Angels Appear at the Tractor

Photograph by Heidi Peters Of all the musicians who took the stage at Tractor Tavern on the first Sunday of December as part of the Angel Band Project – a musical group started in...
January 1, 2011 | by the Editors

Art Walk Awards: Whittle Guy

Tradition as Adaptive Strategy, 2010, carved wood, each 6 x 1.75 x 1.75 inches; installation approximately 6 x 70 x 12 inches. (left) Courtesy of Matt Browning; (right) photograph...
January 1, 2011 | by Roberta Klarreich

How to Wright Right: Less Is More

Less Is More Farewell, readers! There will not be anymore How to Write Right columns any more. Is this an example sentence or an announcement? In truth, it’s both. After a two-and...
January 1, 2011 | by Mark Baumgarten

Editor's Note: The Social Artwork

Chase Jarvis is an inspiring fellow. The big-time Seattle photographer responsible for the Best Camera movement, which preaches the gospel that it is not your equipment  but...
January 1, 2011 | by Marie-Caroline Moir

Style Scholar: Gotta Be Me

Personal style should be elastic – expanding, but always retaining the basic form you recognize as your own. During my year as City Arts’ style editor, I frequently tasted trends...
February 22, 2011 | by Brian McGuigan

Jealousy Is a Mother...

No, it’s not a lack of funding. It’s not audience development. It’s not the decline of subscription-based ticket sales or the death of decades-long subscribers. What’s killing the...
January 1, 2011 | by Sarah Koenig

Home Sweet Tent

A poet in residence sets up shop at Tent City. It is the Sunday after Thanksgiving, and Lantz Rodland stands in a parking lot amid rows of blue tents at Seattle’s Tent City 3,...
January 1, 2011 | by Mark Baumgarten

Around Town: Again, with Art

Again, with ArtThe last twelve months have been tumultuous for the visual arts world in Seattle, with comings and goings, openings and closings. Through it all, though, there has...