Theatre
Big Man on Stage
A revitalized Mike Daisey returns to Seattle with two new shows.
Last year, monologist Mike Daisey’s The Agony and the Ecstasy of Steve Jobs erupted in a truth-versus-fiction scandal. Now the onetime Seattleite brings American Utopias and F***ing F***ing F***ing Ayn Rand, both of which recently...
Events
NW New Works at On the Boards
The morning after NW New Works Festival — in which I profusely free associate and write down my morning-after thoughts about some of this year's performances (...
American Idiot at the Paramount
Though Green Day’s American Idiot is a concept album, its “concept” is more thematic than narrative; there’s no clear storyline. In the broadest sense, the 2004...
An Artistic Engagement
On a Sunday evening last March, Grant Rehnberg picked up his boyfriend Bradford Schroeder at work and drove him to a warehouse in Georgetown.
With help from his...
TRIMPIN: The Gurs Zyklus
It's around 6 p.m. in Trimpin's studio and we're drinking ice-cold martinis around a small table surrounded by hundreds of books (Huelsenbeck, Kafka, Slonimsky),...
Q&A with Marya Sea Kaminski
Marya Sea Kaminski's Riddled plays at the Richard Hugo House June 1–23.
Last September, Bumbershoot visitors packed a small Seattle Center theatre for Marya Sea...
Sex, Drugs and Selling your Soul in ‘Bed Snake’ at WET
How far would you go to fulfill your dreams? This is the inciting question that kicks off Bed Snake, a new play written by Noah Benezra and Hannah Victoria...
'Damn Yankees' Winningly Throws no Curves
Sometimes a straight pitch works best. The loving embrace of the original 1950s style that governs the production of Damn Yankees now running at the 5th Avenue...
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